My current series of paintings depict fabricated American landscapes. The invented landscapes arise from archetypal citations of past and present cultural influences. Placing figures into these landscapes is an attempt to take advantage of the viewer’s natural ability to extrapolate narratives. By creating the paintings using a conjuncture of various photographic references, I continue to explore the distinctions between photographic and painted space. The disjointed nature of the source images, contrasting with the way they are realistically unified, take on a contingent sense of reality.