With my work I like to refer to the illustrative nature of primitive drawings and sculptures. What I find interesting about these is the distortion as a result of selective emphasis; parts of interest are emphasized, unimportant parts reduced or left out. For characters this means they come out big headed, where focus is on the face and the body is trimmed to its essential properties. I deliberately apply this primitive logic as a method. But I don’t apply it equally to all aspects of my work. Instead, I choose to use a very mature, highly laboursome technique for the execution of my work.